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Abelardo was conferred the Lifetime Achievement Award by the Film Academy of the Philippines in 1985 for his outstanding contributions to the movie industry. In 1939 he was recruited to work in Sampaguita Pictures by Pedro Vera, a provincemate who was one of the founders of the studio.He received the Natatanging Gawad Urian from the Manunuri ng Pelikulang Pilipino in 1990 for his outstanding achievements in film. He started as a clapper boy in the films of director Carlos Vander Tolosa.In March 1988, it set up a theater company which produced a play, Manly-linlang (Filipino adaptation of Norman, Is That You? The AWF is recognized by the Film Academy of the Philippines as an educational entity for its actors and is a member of the FAP Board of Governors. Her other movies include Mapuputing Kamay (The White Hands), Anak ng Espada (The Child of the Sword), Munting Koronel (Little Colonel), and Kerubin (Cherub). She married actor Miguel Anzures and together they appeared in several movies before the war. Her other prewar movies are: Mapait na Lihim (Bitter Secret), 1938, with Rosario Moreno; Pasang Krus (Bearing the Cross), 1939, with Corazon Noble and Rogelio de la Rosa; Gabay ng Magulang (A Parent’s Guide), 1939, with Yolanda Marquez; Walang Tahanan (No Place to Call Home), 1939, with Carlos Padilla Sr.; and Takip-Silim (Twilight), 1939, the picture that launched the famous love team of Carmen Rosales and Rogelio de la Rosa. She was part of the cast of Sebya, Mahal Kita (Sebya, I Love You), which started as a radio show over DZXL and was later made into a movie by LVN in 1957. She married actor Michael de Mesa with whom she has three sons. Alajar was only eight years old when she auditioned for Lea Productions ’ Kaibigan Ko ang Santo Niño (The Holy Infant is My Friend), 1967. He performed at the Orient Theater together with Pilita and Dolphy, among others, in 1945. and Rolinda Alcazaren, the two brothers finished elementary and high school at the Don Bosco Technical College.She was under exclusive contract with Sampaguita and did not work for any other movie company except Alta Productions, the Agana firm which produced Kung Ako’y Maging Dalaga (When I Grow Up To Be A Lady), 1955. On television, she appeared as a mainstay in the sitcom, Si Tatang Kasi (Blame it on Father), 1970. She stood out from among close to 300 aspirants and won the title role opposite Roderick Paulate in the film. Goaded by Bayani Casimiro, he joined the movies and first appeared in Sa Isang Sulyap Mo, Tita (With One Glance From You, Tita), 1949. Miguel obtained his bachelor of arts degree in communication arts from the Ateneo de Manila University, while Juan earned his bachelor of science in landscape architecture at the University of the Philippines. Actor son, Jon Hernandez, died in a car accident in 1993.His first film was Malaya, Mutya ng Gubat (Malaya, Muse of the Forest), 1948, starring Mila del Sol and Teody Belarmino.
From the Asian Film Festival, he received the best cinematography award twice: the first time for Anak Dalita when it swept all the awards including best picture, and the second time for Badjao, when his work was singled out as best photography in black and white.
Organized as the Actors Workshop in 1983, it originally functioned as the education committee of the Katipunan ng mga Artista ng Pelikulang Pilipino (KAPP) aka Filipino Screen Actors Guild, conducting regular workshops for KAPP’s member- actors, professional extras, and bit players.
In May 1985, the Actors Workshop became a private foundation and opened its doors also to nonprofessional actors and other acting enthusiasts.
Agana’s daughter, Marita, had a short-lived stint in the Philippine movies as “Tessie Agana Jr.” Marita appeared in For You Mama, 1970, with Gloria Romero and Luis Gonzales, and in Elizabeth, 1971. She also portrayed the young Irene Marcos in Pinagbuklod ng Langit (Joined by Heaven), 1969, and was one of the children in Lino Brocka’s Wanted: Perfect Mother, 1970. He has portrayed a variety of roles: a hippie in Beatnik, 1960; a Western gunfighter who challenges Dolphy to a duel in Barilan Sa Baboy-Koral (Gunfight at Pig’s Corral) and the devil, Lucifer, in Si Lucio at Si Miguel (Lucio and Miguel), 1962; and a wacky private sleuth in Detective Kalog and a fierce tribal chieftain in Tansan vs. Their siblings, Gabriel and Marita, work as model makers. All, except Ang Klon, have won awards in short-film festivals of the Experimental Cinema of the Philippines (ECP) and the Cultural Center of the Philippines (CCP). She played her first lead role in Jingy, 1967, opposite Fernando Poe Jr. He was married to Ester Hugo with whom he has seven children.
Agana received the Maria Clara Award as best child actress of the year for her dual role performance in Eddie Romero ’s Prinsesa at Pulubi, 1951, an adaptation of the famous classic, The Prince and the Pauper. By the time she appeared in the remake of Cofradia, 1973, in the role popularized by Gloria Romero in 1953, Alajar was already a Sampaguita contract star. His parents are actor Etang Discher and businessman Igmedio Tagle. Tarsan, 1963; Panchito has also appeared on television, as a regular co-host of Dolphy in the long-running Buhay Artista in the 1960s, and as guest actor in many other shows. The Alcazaren brothers have made eight animated films using clay: Hari (King), 1982; Headset and Huling Trip (Last Trip), 1983; Juan de la Cruz and Pagpula (Becoming Red), 1984; Ang Klon (The Clone), 1985; and C. In 1992 Juan exhibited his metal sculptures at the CCP Small Gallery. Among her later notable performances was in the film directed by Behn Cervantes, Sakada (Seasonal Cane Worker), 1976. Alvarado played his first bit role in Halik sa Bandila (A Kiss to the Flag), 1948, and his first starring role in Alyas Chain Gang (Alias Chain Gang), 1967.
He became a full-fledged cinematographer in Kandelerong Pilak (Silver Candlesticks), 1954, which won for Lilia Dizon the best actress award in the Cambodian Film Festival. As actor, Accion appeared in films like Ang Lalaki (The Male), 1947; Sierra Madre, 1948; Tambol Mayor (Big Drum) and Kandidato (Candidate), 1949; In Despair, 1950; and Donato, 1954.